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Crazyhood - 20th Anniversary

¡MAYDAY! TEARS DOWN SHOWS IN SEATTLE WA. (SHOW REVIEW)

 >> ¡MAYDAY! Posted 5/29/2011 by crazyhood.
Here is a review from the first two shows from the "All 6's and 7's" tour in Seattle WA.. Review by THESERMONSDOMAIN: “It’s not a concert. It’s a Strange Music party,” proclaimed Scenario, who is Strange Music’s production manager/host. He hypes up every show and in between performances with his loud resonating voice and comical statements. Strange Music is the #1 independent label in the entire Rap game. Tech N9ne’s stage show has been a phenomenal one for the past five plus years. Embarking on his latest tour with fellow Strange Music artists Krizz Kaliko, Kutt Calhoun, Jay Rock, Mayday and Stevie Stone, the All 6’s & 7’s tour is dedicated to living up to its true meaning.

The launch of the tour was two nights at the Showbox Sodo in Seattle, WA. They’re rocked there several times in the past and the venue can hold 1,800 people. Both nights, Thursday and Friday, were sold out with lines stretching all the way to the end of the block near the Krispy Kremes. First night was all about getting it right as Tech and Krizz began sound check to ensure his entrance, facial expressions and movements were on point. Soon after, the rest of the crew went through the same process.

Seattle’s shining hero Neema was the opener of the night. His first night was rough because of his set being cut but the second night; he made up for it by performing earlier, thus getting more time. He had the lovely Latin Rose showing off her amazing vocals on “4 A.M. Calls” and Jay Barz killing the crowd with his fast rapped verse on “I Do.” Just because it’s a sold out crowd doesn’t mean you can just amp everyone up. Sure, some people will be just watching but when Neema’s hands waved side to side, the crowd mimicked.

Stevie Stone was one of the newest signees to the camp. Having a history with Tech, appearing on the K.O.D. tour in 2009, it was still a surprising move. Since I’ve never heard Stevie outside of “Midwest Explosion,” I was curious to see what he brought to the table. Coming out in an all red attire (first night) with his new snake/bat signature Strange chain, Stevie was waving his arms and moving around like he should, even performing some new material off his Strange debut coming in early 2012. He fits right in with his new family.

Yeah, I’ve seen Tech perform once before on the Independent Grind tour in 2010 but he was not the show stealer tonight. Another new signee comes in the form of ¡MAYDAY! definitely owned the night. The six members all boast distinctive looks and equally distinctive talents. Two of them do the rapping while the other four handle the drums, guitar, Congo drum and electric piano. Sound interesting? It was. Not only are they great on stage but they’re humble and showing love to the fans at the merch booth after. A lot of talent was introduced to the already Strange fans. CONTINUE READING

NOT SO THANKSGIVING (REMEMBERING A PROUD PEOPLE)

 >> Whos Crazy Posted 11/25/2010 by crazyhood.
I am bringing back this article I wrote on thanksgiving last year and I plan on bringing it back every year on this day! We must remember the wrong doings of our fellow man or we are destined to repeat the madness. Don't be naive to think this is an occurrence left to history. In various parts of the world today similar events are taking place!

I know that across the United States today is a day of eating turkey, being with your family and giving thanks but lets not ignore the reality of this day we call Thanksgiving. I'm not trying to rain on anyone's parade or be "non-patriotic" like I'm sure some right wingers would call me but there is a historic fact that most people don't know or don't think about. For most Native Americans Thanksgiving represents the beginning of the end for their people and their way of life. Thanksgiving is a sorrowful day full of death and persecution. I'm not telling you not to enjoy this day off from work, I'm not telling you not to enjoy your family and give thanks for the good things in life. All I'm saying is know the history behind this day and lets pay our respects to a great people that tended to this land before us and all they went through and sacrificed for this country to be here right now. I'm not going to sit here and tell you I'm the worlds foremost expert on history so by all means do some research on the origins of Thanksgiving and the story of our native people. I want to give credit to radio host Kay Slay for talking about this last night on his Siruis / Xm radio show. Check out the following article about the "Real Thanksgiving".

MIAMI NEW TIMES REMEMBERS DJ UNCLE AL - QUOTES BY PITBULL, GIL GREEN, COOL & DRE, DJ EFN & MORE

 >> 305 Related Posted 10/19/2010 by crazyhood.
Written by Dro (of The305): Even nine years after his horrific murder, DJ Uncle Al's name still rings heavy in the streets of Liberty City. In what was said to be a case of mistaken identity, Al's death on September 10, 2001 was overshadowed by the 9/11 attacks on the World Trade Center and the Pentagon. Four years after the fact, a suspect was charged with the murder, but then those charges were dropped in 2007.

Ahead of his time in more ways than one, Uncle Al's albums elevated his career and made him an underground celebrity. He served as DJ on a short-lived, but popular radio show with Luke and Freaky Red on 99 Jamz. And his ultimate goal of Peace in the Hood still runs vibrant today.

What about DJ Uncle Al's legacy? DJ Krunch One of the Street Connect DJs was one of Al's closest friends. He was also one of the original members of Al's crew, the Sugar Hill DJs, which was named after the Sugar Hill projects in Liberty City where they all grew up. Krunch One thinks there's still a lot that need to be done in order to preserve Uncle Al's memory and his legacy.

"We're trying to turn NW 15th Avenue between MLK to NW 71st to DJ Uncle Al Avenue," Krunch One says. "Everybody knows how much [Al] meant to the community, but nobody is really doing anything. Let's give back to his kids who still live out here. Let's set up a foundation for them, help them and really keep his legacy alive."

While we know the above is easier said than done, we definitely wish them luck. We can at least tell you that Uncle Al and his memory still lives strong. Over the last week, New Times was able to ask a few of the faces of Miami's hip-hop scene what they remember most about Al and his legacy. Here's what they said: 

"Uncle Al was for the people. He is a Miami legend! Uncle Al was my friend and was one of the most humblest person I know. He represented Miami "
- DJ Khaled, DJ/Producer (99 Jamz/We The Best Music Group)

"Growing up, the hip-hop scene and the bass scene were two different scenes. But you could not go to a club or house party without jamming out to an Uncle Al track at some point. Even though I was a die-hard hip-hop head, I had a lot of respect for bass music 'cause it was Miami's very own homegrown creation. The first time I saw Uncle Al perform, and I say perform 'cause thats what these DJs did, was at a battle between Sugar Hill DJs and Jam Pony Express. I left that party with mad respect for what those DJs did and especially for DJ Uncle Al. I finally got the chance to meet and speak with Uncle Al during an interview for a magazine (Trife Life Magazine). It was at Studio 183 during a Goodie Mob concert and Uncle Al was the DJ that night. What I remember most about that conversation was him telling us that he supported everything that represented Miami. It didn't matter if it was bass, hip-hop, R&B, black, white, or Latino, if it was representing Miami he would try and support it. He was a real humble, down-to-earth dude. And regardless of having national success, he still kept himself grounded in his neighborhood."
- DJ EFN (Crazy Hood Productions) CONTINUE READING.....

THE UNDERGROUND IS REWINDING TO REVIVE CASSETTES

 >> Crazy Blogs Posted 7/23/2010 by crazyhood.


The picture shown here is not the pic that originally came with this article. The picture is a phone pic of one of 3 large bins where I store my tapes. Unfortunately this article isn't about the resurgence of cassettes in Hip Hop but more so indie rock and other genres of music. I've always said I liked the cassette era the most because it was a time where a fan was a real fan of music. No skipping, no upload or download. You had to take it all in and while you did, you read every single credit on the insert that came with it. I always say that to be a real "Mixtape DJ" you had to of put out a mix"tape"! Every so often I still listen to my cassettes and this article surely inspired me to pull out a few to listen to today! Here is the article from Boston.com sent to me by my homie Nomadic trackz:

It’s three weeks into the Boston band Girlfriends’ first-ever US tour, and the trio is stopped in Albuquerque. They’ve spent the first half of the trip the way most do-it-yourselfers do — finding the bright spots in tiny shows they booked through Internet connections, sleeping on beer-stained floors and old mattresses offered up by hospitable locals. They make gas money huddled over a merch table every night. The hottest item? Their cassette tape. “We’re almost sold out of the third pressing already,’’ says guitarist Ben Potrykus.

Tapes are making a comeback. Chunky and hissy, plastic in custom colors, with crafty artwork on tiny rectangle sleeves and custom-made “j-cards,’’ they’re finding a second life as the go-to medium for underground bands working on shoestring budgets. For a handful of fans, tapes are the perfect antidote for the information overload ignited by digital music and blown up by the iPod.


“Tapes are cheap to buy, cheap to make, and easy to carry around,’’ says Potrykus. “You never see someone walking home from a house show in Allston with a CD or seven’’ in their pocket.’’


For Boston’s latest crop of cassette-carrying bands, the medium fits the message. A horde of psychedelic and garage rock bands — bands like Girlfriends, MMOSS, Quilt, and Doomstar! — translate well to the imperfections of tape. All find common ground in flavors of ’60s rock, typified by fuzzed-out guitar and dusty, echoing vocals. Historically, the genre doesn’t exactly match up with the heyday of the cassette, but the quality of the recordings are uncannily complementary. CONTINUE READING....


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